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仲夏夜之梦是什么意思？
《仲夏夜之梦》，是英国剧作家威廉·莎士比亚创作的一部喜剧。《仲夏夜之梦》是一部富有浪漫色彩的喜剧，讲述了一个有情人终成眷属的爱情故事。
《仲夏夜之梦》的首次上演，是在1594年5月2日托马斯·赫尼奇爵士和骚桑普顿伯爵夫人结婚的前夕，地点是在骚桑普顿庄园，看来该剧是为爵士婚礼助兴之作。
此剧在世界文学史特别是戏剧史上影响巨大，后人将其改编成电影、故事、游戏、绘画等。
《仲夏夜之梦》内容简介：
《仲夏夜之梦》讲述了一个有情人终成眷属的爱情故事。故事发生在古希腊的雅典，年轻的赫米娅与拉山德相爱，可是赫米娅的父亲却希望她嫁给狄米特律斯，为此赫米娅与拉山德逃到城外的一片森林里。此时，为了给雅典公爵提修斯和美丽的希波吕妲的盛大婚礼助兴，一群演员也在森林里排练一出喜剧。
赫米娅的好友海伦娜爱着狄米特律斯，所以她把消息透露给了狄米特律斯，于是她们两个人也先后来到森林里。森林里住着许多可爱的小精灵，仙王奥布朗和仙后蒂泰妮霞正在闹别扭。为了捉弄仙后，仙王命令一个叫浦克的小淘气去采一种花汁，拿来滴在仙后的眼睛里，那么她醒来就会狂热地爱上第一眼看到的人或动物。
正巧仙王还无意中得知海伦娜爱着狄米特律斯，所以他让浦克将一些花汁滴在狄米特律斯的眼里，可是浦克把拉山德误认为狄米特律斯。结果，拉山德醒来看到的是海伦娜，便不停地向她求爱，而把赫米娅忘掉了。
仙王发现后。赶忙把花汁滴入正在熟睡的狄米特律斯的眼中。狄米特律斯醒来，看到正被拉山德追赶的海伦娜，于是两人争先恐后地向海伦娜求爱。看到这样的情景，海伦娜和赫米娅都很生气。
与此同时，仙后也中了计，爱上了一个排戏的演员波顿。最后，仙王给除了狄米特律斯外的其他人解除了魔法，大家如愿以偿都得到了属于自己的一份爱情。
（仲夏夜之梦）是什么意思？
"仲夏夜之梦"按照字面的解释就是夏天的尾声夜晚做的梦。接近秋天的夏天夜晚比较凉爽，轻松惬意的氛围里做的梦吧。
跟故事风格也很有关系，也是轻松的，欢乐的。
仲夏夜之梦的英文怎么说
仲夏夜之梦的英文：
A Midsummer Night's Dream
midsummer是什么意思：
n. 仲夏,夏至期
a. 仲夏的
Trying to sell overcoats in midsummer is a real mug's game.
大夏天推销大衣真是白费力气
The cuckoo comes in April, and stays the month of May; sings a song at midsummer, and then goes away.
仲夏夜之梦是什么意思
《仲夏夜之梦》，是英国剧作家威廉·莎士比亚创作的一部喜剧。《仲夏夜之梦》是一部富有浪漫色彩的喜剧，讲述了一个有情人终成眷属的爱情故事。
《仲夏夜之梦》的首次上演，是在1594年5月2日托马斯·赫尼奇爵士和骚桑普顿伯爵夫人结婚的前夕，地点是在骚桑普顿庄园，看来该剧是为爵士婚礼助兴之作。
此剧在世界文学史特别是戏剧史上影响巨大，后人将其改编成电影、故事、游戏、绘画等。
扩展资料：
雅典城内年轻女孩赫米娅与拉山德两情相悦，可是她的父亲伊吉斯却要她嫁给狄米特律斯，她不肯，父亲大怒，说要按律法处死她。来找公爵忒修斯评判，公爵劝赫米娅听从父亲的话，否则要么死要么进修道院。拉山德和赫米娅决定私奔，约定晚上在郊外森林相会出逃。赫米娅私奔前告诉了闺蜜海丽娜。
海丽娜深爱着狄米特律斯，也知道狄米特律斯只钟情赫米娅，但为了能与深爱的男人找个理由见面和说上话，她把赫米娅私奔的消息告诉了狄米特律斯。
狄米特律斯气急败坏地跑去阻止，海丽娜紧随其后，一路吵闹着赶到林中。
好心的仙王奥布朗想成全海丽娜的痴心，令小精灵迫克去采来爱懒花汁，想法滴进狄米特律斯的眼睛里，让他爱上海丽娜。不想迫克误把拉山德当成了狄米特律斯，结果让拉山德变心爱上了海丽娜，仙王发现错了，赶紧又把花汁滴进狄米特律斯眼里，结果狄米特律斯也疯狂爱上了海丽娜。
看到拉山德的背叛，赫米娅伤心欲绝，海丽娜却认为他们是合起伙来嘲弄她，两人互相指责对方。
最后，仙王解除了拉山德身上的魔法，拉山德仍对赫米娅忠贞不二，海丽娜则得到了狄米特律斯的爱情。四人皆大欢喜，两对新人和公爵忒修斯、希波吕忒同时举行婚礼。
参考资料来源：百度百科——仲夏夜之梦
仲夏夜之梦英文简介
仲夏夜之梦英文简介为：
Ⅰ.Introduction
A Midsummer Night's Dream is a comedy play by William Shakespeare, believed to have been written between 1590 and 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors (mechanicals), who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
Ⅱ.Performance history
17th and 18th centuries
During the years of the Puritan Interregnum when the theatres were closed (1642–60), the comic subplot of Bottom and his compatriots was performed as a droll. Drolls were comical playlets, often adapted from the subplots of Shakespearean and other plays, that could be attached to the acts of acrobats and jugglers and other allowed performances, thus circumventing the ban against drama.
When the theatres re-opened in 1660, A Midsummer Night's Dream was acted in adapted form, like many other Shakespearean plays. Samuel Pepys saw it on 29 September 1662 and thought it "the most insipid, ridiculous play that ever I saw ..."
After the Jacobean/Caroline era, A Midsummer Night's Dream was never performed in its entirety until the 1840s. Instead, it was heavily adapted in forms like Henry Purcell's musical masque/play The Fairy Queen (1692), which had a successful run at the Dorset Garden Theatre, but was not revived. Richard Leveridge turned the Pyramus and Thisbe scenes into an Italian opera burlesque, acted at Lincoln's Inn Fields in 1716. John Frederick Lampe elaborated upon Leveridge's version in 1745. Charles Johnson had used the Pyramus and Thisbe material in the finale of Love in a Forest, his 1723 adaptation of As You Like It. In 1755, David Garrick did the opposite of what had been done a century earlier: he extracted Bottom and his companions and acted the rest, in an adaptation called The Fairies. Frederic Reynolds produced an operatic version in 1816.
Ⅲ.Plot
The play consists of three interconnecting plots, connected by a celebration of the wedding of Duke Theseus of Athens and the Amazon queen, Hippolyta, which is set simultaneously in the woodland and in the realm of Fairyland, under the light of the moon.
The play opens with Hermia, who is in love with Lysander, refusing to submit to her father Egeus' demand that she wed Demetrius, who he has arranged for her to marry. Helena meanwhile pines unrequitedly for Demetrius. Enraged, Egeus invokes an ancient Athenian law before Duke Theseus, whereby a daughter must marry the suitor chosen by her father, or else face death. Theseus offers her another choice: lifelong chastity while worshiping the goddess Diana as a nun.
Peter Quince and his fellow players plan to put on a play for the wedding of the Duke and the Queen, "the most lamentable comedy and most cruel death of Pyramus and Thisbe". Quince reads the names of characters and bestows them to the players. Nick Bottom, who is playing the main role of Pyramus, is over-enthusiastic and wants to dominate others by suggesting himself for the characters of Thisbe, the Lion, and Pyramus at the same time. He would also rather be a tyrant and recites some lines of Ercles. Quince ends the meeting with "at the Duke's oak we meet".
In a parallel plot line, Oberon, king of the fairies, and Titania, his queen, have come to the forest outside Athens. Titania tells Oberon that she plans to stay there until she has attended Theseus and Hippolyta's wedding. Oberon and Titania are estranged because Titania refuses to give her Indian changeling to Oberon for use as his "knight" or "henchman," since the child's mother was one of Titania's worshipers. Oberon seeks to punish Titania's disobedience. He calls upon Robin "Puck" Goodfellow, his "shrewd and knavish sprite",[3] to help him concoct a magical juice derived from a flower called "love-in-idleness", which turns from white to purple when struck by Cupid's arrow. When the concoction is applied to the eyelids of a sleeping person, that person, upon waking, falls in love with the first living thing they perceive. He instructs Puck to retrieve the flower with the hope that he might make Titania fall in love with an animal of the forest and thereby shame her into giving up the little Indian boy. He says, "And ere I take this charm from off her sight, / As I can take it with another herb, / I'll make her render up her page to me."
Hermia and Lysander have escaped to the same forest in hopes of eloping. Helena, desperate to reclaim Demetrius's love, tells Demetrius about the plan and he follows them in hopes of killing Lysander. Helena continually makes advances towards Demetrius, promising to love him more than Hermia. However, he rebuffs her with cruel insults against her. Observing this, Oberon orders Puck to spread some of the magical juice from the flower on the eyelids of the young Athenian man. Instead, Puck mistakes Lysander for Demetrius, not having actually seen either before, and administers the juice to the sleeping Lysander. Helena, coming across him, wakes him while attempting to determine whether he is dead or asleep. Upon this happening, Lysander immediately falls in love with Helena. Oberon sees Demetrius still following Hermia and is enraged. When Demetrius decides to go to sleep, Oberon sends Puck to get Helena while he charms Demetrius' eyes. Upon waking up, he sees Helena. Now, both men are in pursuit of Helena. However, she is convinced that her two suitors are mocking her, as neither loved her originally. Hermia is at a loss to see why her lover has abandoned her, and accuses Helena of stealing Lysander away from her. The four quarrel with each other until Lysander and Demetrius become so enraged that they seek a place to duel each other to prove whose love for Helena is the greatest. Oberon orders Puck to keep Lysander and Demetrius from catching up with one another and to remove the charm from Lysander. Lysander returns to loving Hermia, while Demetrius continues to love Helena.
The Quarrel of Oberon and Titania by Joseph Noel PatonMeanwhile, Quince and his band of six labourers ("rude mechanicals", as they are described by Puck) have arranged to perform their play about Pyramus and Thisbe for Theseus' wedding and venture into the forest, near Titania's bower, for their rehearsal. Bottom is spotted by Puck, who (taking his name to be another word for a jackass) transforms his head into that of a donkey. When Bottom returns for his next lines, the other workmen run screaming in terror, much to Bottom's confusion, since he hasn't felt a thing during the transformation. Determined to wait for his friends, he begins to sing to himself. Titania is awakened by Bottom's singing and immediately falls in love with him. She lavishes him with attention and presumably makes love to him. While she is in this state of devotion, Oberon takes the changeling. Having achieved his goals, Oberon releases Titania, orders Puck to remove the donkey's head from Bottom, and arranges everything so that Hermia, Lysander, Demetrius, and Helena will believe that they have been dreaming when they awaken.
The fairies then disappear, and Theseus and Hippolyta arrive on the scene, during an early morning hunt. They wake the lovers and, since Demetrius does not love Hermia any more, Theseus overrules Egeus's demands and arranges a group wedding. The lovers decide that the night's events must have been a dream. After they all exit, Bottom awakes, and he too decides that he must have experienced a dream "past the wit of man". In Athens, Theseus, Hippolyta and the lovers watch the six workmen perform Pyramus and Thisbe. Given a lack of preparation, the performers are so terrible playing their roles to the point where the guests laugh as if it were meant to be a comedy, and everyone retires to bed. Afterwards, Oberon, Titania, Puck, and other fairies enter, and bless the house and its occupants with good fortune. After all other characters leave, Puck "restores amends" and suggests to the audience that what they just experienced might be nothing but a dream (hence the name of the play).
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